Longrid explores Godzilla’s image as a metaphor for nuclear trauma, guilt, and hope, tracking its path from the horror of 1954 to modern interpretations.
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The visual style is inspired by Japanese magazines in the 1970's and 80's, and the structure is influenced by the idea of radiation contamination — chapters divided by a dosimeter, the level of which is increasing as they advance, increasing the visual effects.
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[2] Dosimeter dividers
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[3] Hollywood version section of Godzilla
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The key metaphor is the explosion and its consequences. Not only physical, but also cultural, psychological, visual. This idea spans the entire Longrid, from the first chapter to the final.
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[3] Modern Godzilla Remakes
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![[3 ШАГА К РАЮ]](https://files.mediiia.ru/projectimages/2287/1605edbd2dff4d5c8902b0236f1785d7/8bf31abbf1cf42a38a63c6709b0cf1c9220x309.jpg "[3 ШАГА К РАЮ]")
