Brif
Number of guests: 50. Date of the event: Main task: To create the concept, the route of the guest and the visualization of the exhibit, the subject of which is anger.
idea
Anger is like a murky peel when the mind is clouded, words run faster than thought, an uncontrolled stream trying to hurt others. The point where we can’t see each other. But what’s behind the anger, behind this diaper? A hole in a dam or a floodwater river, a burned field or a cleared space, pain or fear, protection or attack? There is a remnant behind the anger — sometimes burning, sometimes scraping from the inside, but without his trace he will leave no one behind. We’ll follow the anger — we’ll watch the anger.
Anger is coming out. It’s like a pissed-off element, obsessing its eyes, causing destruction. Maybe she’ll destroy something valuable, maybe a long time old.
The main technique is the discovery of objects behind dark partitions (SmartGlass) and the fragmentation of space and projection.
Technical timing: 19:00–19:40 — guest gathering 19:40–19:50 — welcome word 19:50–20:20 — free inspection of objects 20:20–20:30 — culmination of Yvest 20:30–21:00 — conclusion
Visitor’s Way
The first point of contact between the audience and the subject is that of the airy, dark veils coming down the stairs from the hall. Over the stairs is a broken, lightning — smashed branch of the tree. The location of her fracture is glowing from the inside.
The desks are located in the lobby opposite the exhibition, as well as in the fireplace.
It’s clean. The viewer gets into the space that’s clogged, squeezing, tight. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm.
Development. The complete disappearance of the sheet. The objects are point-lighted, the passage space remains dark.
Gender exposure is the culmination. Covered with dark plastic, it hides faults invisible to the audience. The light passes through the cracks. It’s like the viewer comes down from the storm clouds to the ground.
Final
In the finals, the light of the projectors passes through transparent glass, projecting on the open white walls of artist silhouettes.
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