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IKEA as a System of Persuasion

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Rubrication

Introduction 1. Brand Overview 2. Theoretical Framework: Elaboration Likelihood Model 3. Audience 4. IKEA’s Communication Model 5. Tone of Voice 6. Analysis of IKEA’s Communication Through ELM  — Peripheral Route to Persuasion 7. Central Route to Persuasion 8. Evaluation of Effectiveness Conclusion

Introduction

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Most furniture brands sell interior products. IKEA sells solutions for organizing everyday life. This is precisely why the company’s communication strategy deserves separate analysis. For decades, the brand has remained one of the most recognizable players in the global furniture market not only because of its product range, but also because of its ability to build lasting relationships with audiences through various communication channels.

One of IKEA’s defining characteristics is its ability to appeal simultaneously to both rational and emotional aspects of consumer decision-making. A potential customer may choose a product based on its price, functionality, and technical characteristics, but they may also develop a positive attitude toward the brand through emotional storytelling, visual imagery, and associations with a comfortable everyday lifestyle.

This paper analyzes IKEA’s communication strategy through the Elaboration Likelihood Model (ELM), developed by Richard Petty and John Cacioppo. The theory explains how people process persuasive messages and why some communication strategies lead to long-term attitude change while others produce only temporary effects.

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The Wonderful Everyday

Brand Overview

IKEA is a Swedish multinational company specializing in the design and retail of furniture and home furnishing products.

The core idea of the brand is to provide affordable and functional solutions for everyday living. Unlike many furniture companies, IKEA rarely builds its communication around status, luxury, or exclusivity. Instead, the brand focuses on convenience, independence, family life, and the efficient use of space.

The primary communication objective of IKEA is to transform the purchase of furniture from a purely utilitarian act into part of a broader life narrative.

Its main target audience includes young professionals, students, young families, and people who are in the process of furnishing a new home.

Theoretical Framework: Elaboration Likelihood Model

According to the Elaboration Likelihood Model, audiences can process persuasive messages through two different routes.

The first is the central route to persuasion, which involves a high level of involvement and careful consideration of information. Individuals analyze arguments, compare product characteristics, and make decisions based on rational evaluation.

The second is the peripheral route to persuasion. In this case, decisions are influenced by emotional cues, visual imagery, likable characters, or the overall impression created by a message.

The central premise of the model is that effective communication rarely relies on only one route. The most successful brands combine both forms of persuasion.

IKEA’s communication strategy is a clear example of such an approach.

Audience

From the perspective of ELM, IKEA’s audience can be divided according to their level of involvement in the purchasing process.

For some consumers, buying furniture represents a significant investment of time and money. These individuals carefully examine dimensions, materials, functionality, reviews, and prices before making a decision. In such cases, the central route to persuasion is activated.

Other consumers engage with the brand in a less analytical way. They respond primarily to advertising campaigns, interior photography, and the overall visual identity of IKEA, forming a favorable impression through emotional and aesthetic associations. Here, the peripheral route to persuasion plays the dominant role.

What makes IKEA distinctive is its ability to create communication materials that address both groups simultaneously.

IKEA’s Communication Model

IKEA’s communication can be understood as a complex system of meaning-making in which the brand acts not only as a furniture retailer but also as an active participant in a broader cultural conversation about home and everyday life. The sender in this communication process is the entire IKEA ecosystem, including advertising campaigns, the website, the mobile application, social media platforms, and physical stores. Despite the diversity of these formats, they all communicate a similar message: comfortable and functional living spaces should not be a privilege available only to certain social groups but accessible to everyone.

A distinctive feature of IKEA’s communication is that this message is rarely stated directly. Instead of explicit claims, the brand relies on visual representations of everyday life, interior photography, and stories about families, moving homes, or major life transitions. As a result, audiences encounter not a product advertisement in the traditional sense, but a model of living in which the product becomes part of the solution to a practical problem.

Footage from the video: IKEA Start Something New

Tone of Voice

One of the key elements of IKEA’s communication strategy is its distinctive tone of voice. The brand rarely adopts the role of an authority telling people how they should live or what their homes should look like. Instead, IKEA positions itself as a helpful companion offering practical solutions to everyday situations.

Its communication is based on the principle of equality between the brand and its audience. The messages avoid the distance often associated with premium brands as well as the aggressive persuasion commonly found in commercial advertising. Rather than pushing products, IKEA’s communication resembles a friendly recommendation or practical piece of advice. This approach is especially important for a brand that seeks to appeal to a broad audience while avoiding any sense of exclusivity.

The company’s language reflects this strategy. Communication relies on simple sentence structures and familiar everyday vocabulary. Instead of using specialized design terminology, IKEA talks about storage, organization, family routines, and practical everyday use. This makes the brand accessible to people with different levels of knowledge and experience.

Equally significant is what IKEA deliberately avoids. Its messages rarely promise luxury lifestyles, social prestige, or personal superiority. The brand does not sell the dream of status. Instead, it promotes a more realistic vision: making everyday life more comfortable, functional, and enjoyable. This is one of the reasons why IKEA’s communication is generally perceived as trustworthy and non-intrusive.

Analysis of IKEA’s Communication Through ELM

Peripheral Route to Persuasion

One of the most visible aspects of IKEA’s communication strategy is its reliance on emotionally driven storytelling.

The advertising campaign Lamp offers a particularly illustrative example. The commercial provides almost no information about product features or technical specifications. Instead, viewers are encouraged to empathize with an old lamp that has been discarded and left outside. Persuasion occurs not through logical arguments but through emotional engagement.

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Footage from the video: IKEA Lamp

A similar mechanism can be observed in the campaign Proudly Second Best. Here, the central focus is the relationship between parents and children. Furniture remains present within the visual environment, yet it is not the primary subject of the message.

The audience responds to the story itself, while the positive emotions generated by the narrative are transferred to the brand. This process corresponds closely to the peripheral route described by ELM, where attitudes are shaped through emotional and symbolic cues rather than through analytical evaluation.

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Proudly Second Best

Central Route to Persuasion

Despite the prominent role of emotional advertising, IKEA’s communication strategy extends far beyond peripheral persuasion. According to the Elaboration Likelihood Model, lasting attitude change occurs when consumers carefully evaluate information and assess the strength of arguments presented to them. This mechanism forms the basis of the central route to persuasion.

Furniture purchases are typically high-involvement decisions. Unlike impulse purchases, they often require considerable time for comparing alternatives, evaluating prices, and examining product specifications. For this reason, IKEA actively employs communication tools designed to facilitate rational information processing.

The official website provides one of the clearest examples of this approach. Every product page includes detailed descriptions, technical specifications, information about materials, dimensions, assembly requirements, and usage recommendations. Consumers are given the opportunity to assess both advantages and limitations independently, allowing purchasing decisions to emerge from a process of informed evaluation rather than emotional impulse.

A similar function is performed by IKEA’s digital planning tools. These services enable users not only to browse products but also to visualize how specific items will function within their own living spaces. In doing so, IKEA helps consumers move from an abstract desire to purchase toward a concrete assessment of practical value.

The organization of IKEA stores provides another particularly interesting example. Unlike traditional furniture showrooms, where products are often displayed individually, IKEA presents complete interior environments. Initially, visitors respond emotionally to these spaces, imagining themselves living within them and experiencing the atmosphere they create. Gradually, however, emotional engagement shifts toward analytical evaluation. Customers begin examining prices, dimensions, materials, and construction details. The store therefore functions as a space in which peripheral persuasion is transformed into central persuasion.

An additional component of rational persuasion is embedded in the brand’s broader philosophy. IKEA consistently emphasizes functionality, efficient use of space, and democratic design. These ideas are repeated across communication channels and form a stable argumentative foundation for the brand. Consumers receive not only an emotional impression but also a coherent set of rational justifications for choosing IKEA products.

From the perspective of ELM, it is precisely this combination of emotional engagement and subsequent rational evaluation that enables IKEA to create more durable attitudes toward the brand. While the peripheral route generates initial interest, the central route reinforces that interest through thoughtful decision-making. As a result, consumer loyalty becomes more stable and less dependent on individual advertising campaigns.

Evaluation of Effectiveness

The analysis demonstrates that IKEA’s communication strategy effectively implements the principles of the Elaboration Likelihood Model by combining both routes to persuasion. This enables the brand to address different audience segments and accompany consumers throughout the entire decision-making process.

At the stage of initial contact, the peripheral route plays a particularly important role. IKEA’s advertising campaigns rarely focus on product specifications. Instead, they explore emotionally meaningful themes such as family relationships, life transitions, the meaning of home, and everyday comfort. In an environment characterized by information overload, such messages are easier to process and help establish a positive first impression.

However, IKEA’s effectiveness cannot be explained solely by emotional appeal. Unlike many brands that rely primarily on image-based communication, IKEA provides extensive rational information. Once initial interest has been established, consumers can examine product ranges, compare alternatives, calculate costs, and evaluate functional characteristics. Emotional attraction is therefore reinforced by rational justification.

The integration of multiple communication channels represents another important factor in the brand’s effectiveness. Advertising campaigns, digital platforms, and physical stores function not as isolated elements but as parts of a coherent communication ecosystem. Consumers receive a consistent experience regardless of their point of entry into the brand. This consistency reduces the likelihood of discrepancies between expectations and actual product experience.

Another indicator of effectiveness is IKEA’s ability to remain culturally relevant over long periods of time. Many of the brand’s advertising campaigns continue to be discussed years after their release. Rather than relying heavily on short-lived trends, IKEA builds its communication around universal themes related to home, family, and everyday life. This approach contributes to the long-term stability of its communication strategy.

At the same time, the analysis reveals several potential limitations. In recent years, audiences have become increasingly attentive to issues of environmental responsibility and corporate transparency. Since IKEA frequently incorporates sustainability into its communication, any discrepancy between declared values and actual business practices could negatively affect consumer trust. In terms of ELM, this is particularly important for the central route to persuasion, where audiences are more likely to scrutinize claims and evaluate the credibility of arguments.

To strengthen its communication strategy further, IKEA could provide more concrete evidence supporting its sustainability initiatives and make greater use of customer experiences as persuasive material. Real user stories are capable of combining emotional engagement with rational validation, thereby integrating both persuasive routes within a single communication framework.

Ultimately, IKEA’s effectiveness stems not from individual campaigns or visual aesthetics alone, but from its ability to construct a multilayered system of persuasion. By successfully combining emotional influence with rational argumentation, the brand builds long-term relationships with its audience and maintains a strong competitive position in the market.

Conclusion

IKEA’s communication can be understood as a system of meaning production in which furniture becomes only one element of a broader cultural narrative. Through stories about home, family, and everyday life, the brand constructs a recognizable vision of contemporary living and invites audiences to participate in it.

The company’s communication strategy demonstrates a practical application of the Elaboration Likelihood Model. IKEA simultaneously appeals to both emotional and rational dimensions of consumer decision-making through a variety of channels and communication formats.

As a result, the brand does more than sell furniture. It cultivates enduring attitudes toward its values and the lifestyle it represents, creating a lasting connection between consumers and the brand itself.

Bibliography
1.

Petty, Richard E.; Cacioppo, John T. Communication and Persuasion: Central and Peripheral Routes to Attitude Change; Springer-Verlag, 1986.

2.

Elaboration Likelihood Model; Oxford Bibliographies.

3.

Petty, Richard E.; Wegener, Duane T. The Elaboration Likelihood Model: Current Status and Controversies; in Theories and Models in Communication.

4.5.

Our Sustainability Focus Areas; IKEA (URL: https://www.ikea.com/global/en/our-business/sustainability/)

6.

The IKEA Concept / Life at Home; IKEA (URL: https://lifeathome.ikea.com/)

7.

The Wonderful Everyday; IKEA Campaign Archive.

8.

Start Something New; IKEA Campaign Archive.

9.

IKEA Lamp; IKEA Campaign Archive.

10.11.

Keller, Kevin Lane. Strategic Brand Management: Building, Measuring and Managing Brand Equity; Pearson, 2013.

12.

Kotler, Philip; Keller, Kevin Lane. Marketing Management; Pearson, 2016.

13.

Fill, Chris. Marketing Communications: Brands, Experiences and Participation; Pearson, 2013.

IKEA as a System of Persuasion
Project created at 07.06.2026
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